![]() ![]() For example, the tokonoma alcove in a traditional Japanese room is a space or a stage used to display important objects, such as a painting scroll, an important art object, or a flower arrangement. Ma appears in many areas of Japanese arts and culture. The character can be read differently when emphasis is put on the connection between things ( awai), the distance between things ( aida), or the distance between people ( aidagara). Originally, the character 間 was written with the radical for "moon" ( 月) instead of the character for "sun" ( 日), and, in this form ( 閒, xián), depicted, according to Bernhard Karlgren, "A door through the crevice of which the moonshine peeps in". Etymology Īmong English loanwords of Japanese origin, both ma (interval, space) and ken (unit of architectural measurement) are written with the Chinese character 間 derived from the character 門 ("door") and 日 ("sun"). The existence of ma in an artwork has been interpreted as "an emptiness full of possibilities, like a promise yet to be fulfilled", and has been described as "the silence between the notes which make the music". This results in the concept of ma being less reliant on the existence of a gap, and more closely related to the perception of a gap. Though commonly used to refer to literal, visible negative space, ma may also refer to the perception of a space, gap or interval, without necessarily requiring a physical compositional element. The concept of space as a positive entity is opposed to the absence of such a principle in a correlated 'Japanese' notion of space. ![]() In modern interpretations of traditional Japanese arts and culture, ma is taken to refer to an artistic interpretation of an empty space, often holding as much importance as the rest of an artwork and focusing the viewer on the intention of negative space in an art piece. 'gap, space, pause') is a Japanese reading of a Sino-Japanese character, which is often used to refer to what is claimed to be a specific Japanese concept of negative space. The empty space in this piece is considered to be as important as the trees depicted. Left panel of the Pine Trees Screen ( 松林図 屏風, Shōrin-zu byōbu) by Hasegawa Tōhaku. ![]()
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